The MCU continues unrelenting, with it, Marvel open their arms and welcome into the fold a name that faces few equals: Spider-Man. Despite two solid showing as Andrew Garfield’s Amazing variant, Sony decided if you can’t beat them, sell back some rights and take a cut of the profits.
For Marvel’s part, they decided the best way to keep those profits high was to not deviate from what has worked before. This doesn’t mean a rehash of former Spider-Man movies. Oh no, not at all. It means shoehorning Peter Parker into the MCU by stripping away his uniqueness.
This is where two opinions on this latest film will tail off from one another.
If you love all things MCU, then you won’t mind this alternative direction for Spidey. If you hold Spider-Man dear to your heart, brace yourself for an onscreen character assassination.
This isn’t the Spider-Man many grew up with. There’s no driving motive behind his foray into fighting crime. He isn’t burdened by loss in the family. He isn’t crooning over Mary Jane (she’s here, hiding in plain sight, but for now, he half-fancies a girl called Liz). There’s no such thing as a Spidey Sense and his best mate isn’t going to become the Green Goblin.
So, what do we have instead?
A boy that was bitten by a spider (he briefly tells his buddy this, no origin drama to deal with) who can walk on walls and ceilings. That’s it. The Spider-Man suit is actually a Tony Stark design, complete with visual/audio guidance.
The Marvel Cinematic Universe has turned Spider-Man into Iron Man Jr.
Such is the simplicity – and deceit of the true nature of the character – the plot and film remains decidedly average. Generic set plays on peril, and a villain – played by the excellent but left with little to explore, Michael Keaton – whose integrity and overall threat is undermined by Iron Man existing in this world.
There is hope Keaton can reprise his role as Vulture in later films, and the way he was a property salvager working on the post-Avengers New York debris, able to come across alien tech but put out of business by Stark and the authorities, is the sort of loose tie-in the film benefits from.
However, the overbearing MCU connections even kill this element.
There are good interactions between Jacob Batalon’s turn as a Ned and Tom Holland’s Peter Parker. The identity of Spider-Man is accidently revealed to Parker’s geeky best pal, adding a fresh element but this should be the unseen cement in the movie, not a standout plus.
This could be the moment Marvel jumps the shark on the big screen. From the Captain America school videos during classes to the Stark created Spider-Man. It’s too cheesy, too much comic book for the screen. And not the best sort of comic book. It’s the dated, outmoded variant most haven’t lifted from a shelf in years.
Marvel are either on a collision course with creativity or cleverly tapping into a dumbed down audience. Either way, it makes for a very average Homecoming for the character that should be the jewel in Marvel’s crown.
(P.S. Don’t stay to the final end credits scene, it’s a lame joke and offers no insight or progression to future MCU stories.)