With the new Hollywood remake out in cinemas, it was inevitable the Manga original was going to get a revisit. Or for some, a first viewing. The new Ghost in the Shell is best-known – for the time being, at least – for being responsible for reigniting the whitewashing in American movies. The original was the attempt to penetrate the western mainstream. It failed. But was it fairly overlooked?
It’s interesting when you ask people about Manga. Some will mention Akira before tailing off. Many recognise the niche films as a mark of honour. A nineties cult that defined a new type of geek-cool. For our in-house WWE expert, Clive Balls, who spent time living in Japan, they are more than quirky, in many ways they already trump Hollywood.
To the man in the middle (me), they are somewhere in between. Atmospheric animation that delves into thought provoking issues. They’re certainly not cartoons. They are the Japanese graphic novel without the awkward ties to forties comics.
Ghost in the Shell was a film ahead of its time. It took on artificial intelligence long before the current Westworld revival. It deals with gender and strips away all preconceptions long before the world at large listened to LGBT rights. The makers envisioned large networks and interconnectivity while we were all accessing the internet with dial-up.
The story centres on Major (she’s the Scarlett Johannson character). An outwardly looking female but her nakedness that reveals the dream body is purely to activate camouflage. The strength she displays and all her drives are asexual. She is something else in a world where cyborgs are commonplace, each believing they possess a soul – the ghost in the shell.
A complex argument of what defines consciousness, the individual traits that are left behind, creating the person.
As revelations unravel, Major worries that her ghost could just be clever programming. This comes about when her unit, a government agency, realises a hacker is at work, it appears the corporation that makes government cyborgs has been infiltrated.
The Puppet Master, is the name the hacker goes by, and it sets Major up for a showdown. With it, a deep insight into her own existence.
To go into further detail will unravel the apex of the story. The main takeaway from Ghost in the Shell after all these years is that the mood and feel stands up to anything that has come since. Some hallmarks have been outright robbed in major Hollywood films. The way characters move during action scenes is now the way CGI enhanced stuntmen do combat.
The soundtrack could be where Manga borrowed ideas from western sci-fi, even when using traditional Japanese songs, in terms of tension building. But the pacing is a let-down. The philosophical statements are unlikely to be surpassed in the 2017 live action remake but the flow of the film has room for improvement.
To answer the question in the opening paragraph: Yes, originally it was overlooked when it should have been embraced rather than copied. But time has aged some of its parts and degraded the once four-star film.
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[…] it just lacks that something special beyond the performance of Johansson to make it noteworthy. The 1995 version was ground-breaking in many ways, this is the exact opposite. It plays it safe, using standard […]